PERFORMANCE SCRIPTS
“A Room of One’s Own: Women and Power in the New America,” The Drama Review, 51, 4 (T196), Winter, 2007.
“The Incredible Disappearing Woman,” Macalaster International, issue on International Feminisms: Divergent Perspectives, Volume 10, Spring, 2001, pp. 3-44.
“Stuff,” The Drama Review, Vol. 41, No. 4, Winter, 1997, pp. 63-82.
SELECTED ARTICLES
Social Practice, Cuban Style, MoMA Magazine, July 10, 2020, https://www.moma.org/magazine/articles/376
Love Among the Ruins, The New York Review of Books, April 9, 2020, Vol. LXVII, Number 6, pp. 14-17.
The Human Element: LaToya Ruby Frazier's Vision of Lordstown, catalogue essay for
Frazier's exhibition, The Last Cruze, at The Renaissance Society, Chicago, (forthcoming)
Sex, Art and Misogyny, The New York Review of Books, May 9, 2019 Issue.
https://www.nybooks.com/articles/2019/05/09/sex-art-misogyny/
Maria Teresa Hincapié, in María Teresa Hincapié: Hacia lo sagrado (Bogotá: Seguros Bolívar, 2017). José Roca y Sylvia Suárez (Ed).
Censorship, Not the Painting, Must Go: On Dana Schutz’s Image of Emmett Till: https://hyperallergic.com/368290/censorship-not-the-painting-must-go on-dana-schutzs-image-of-emmett-till/
Some Wrongs aren’t about Rights: https://frieze.com/article/some-wrongs- arent-about-rights
Decades of Identity Politics, Texte Zur Kunst, Issue No. 107, September 2017
How the Art World and Art Schools and Ripe for Sexual Abuse: https://hyperallergic.com/411343/how-the-art-world-and-art-schools-are-ripe-for-sexual- abuse/
Why an Art Strike? Why Now? Hyperallergic, January 10 2017. http://hyperallergic.com/350529/why-an-art-strike-why-now/
Artists and Identity (interview), Artforum, Summer 2016
The Revolution is Dead – But Long Lives the State! e-flux journal, August 1, 2015.
The State of Detention: Performance, Politics, and the Cuban Public. e-flux journal, January 2015.
(A complete list of articles can be provided upon request)